When commemorating National Women’s History Month, the Wheaton College Billy Graham Center Archives could celebrate any number of extraordinary women represented in its collections: author and missionary Elisabeth Elliot, evangelist Helen “Ma” Sunday, prison preacher Rev. Consuella York, Mission Aviation Fellowship pilot Betty Greene, Holocaust-survivor and author Corrie ten Boom, faith-healer and evangelist Kathryn Kuhlman, and many others. But this March, the Archives remembers poet, hymnist, composer, social reformer, and public speaker, Fanny Crosby (1820-1915), born two hundred years ago this month.
Although she could print little more than her name, Fanny Crosby became the most prolific American hymnist of the nineteenth century, writing thousands of sacred songs, sometimes composing up to six or seven hymns a day. Her most famous works include “Blessed Assurance”, “To God be the Glory”, “Pass Me Not, O Gentle Savior”, and “Safe in the Arms of Jesus.” A household name in her lifetime, Fanny Crosby’s compositions still litter hymnals across American Protestant denominations today. Crosby’s enduring popularity is a testimony not only to the extraordinary volume of her musical corpus but also to the simplicity and power of her lyrics to convict, comfort, and inspire audiences around the globe.
In addition to photographs, song books, and memorabilia, the Archives holds nearly 2,400 original manuscripts of Crosby’s hymns and poetry, composed between 1862 and 1915. The majority of the manuscripts are numbered and dated, a helpful guide for researchers tracing Crosby’s immense literary output. The finding aid for Collection 35: Papers of Fanny Crosby provides more details about these materials. Continue reading