Music to the Glory of God

Dr. Hans Rookmaaker (SC-18, Box 25)

The meeting of Hans Rookmaaker, a Dutch art critic, and Mahalia Jackson, a Black American gospel singer seems, at first impression, unlikely. Yet, archives are full of such improbable pairings.

Born February 27th, 1922, in the Netherlands, Hans Rookmaaker came to adulthood under the storm of Nazism and war. As the Dutch Nazi Party organized, teenaged Hans pursued a growing interest in art and music, developing an abiding passion for jazz. Spending his pocket money on albums and phonograph needles; some of his favorites included Jelly Roll Morton, Louis Armstrong and Billie Holiday. Under the Nazi occupation, Hans joined the Underground Press and agreed to distribute anti-Nazi leaflets. Arrested after his first night, he was eventually freed through his father’s political connections. However, in 1943, thousands of Dutch reservists, including Hans, were “officially” enlisted for service at a collecting center where they were herded into trains and transported to concentration camps.

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“This is My Story, This is My Song”: Celebrating Two Centuries of Fanny Crosby

Fanny Crosby Portrait
Fanny Crosby in 1895. Accession 15-01.

When commemorating National Women’s History Month, the Wheaton College Billy Graham Center Archives could celebrate any number of extraordinary women represented in its collections: author and missionary Elisabeth Elliot, evangelist Helen “Ma” Sunday, prison preacher Rev. Consuella York, Mission Aviation Fellowship pilot Betty Greene, Holocaust-survivor and author Corrie ten Boom, faith-healer and evangelist Kathryn Kuhlman, and many others. But this March, the Archives remembers poet, hymnist, composer, social reformer, and public speaker, Fanny Crosby (1820-1915), born two hundred years ago this month.

Although she could print little more than her name, Fanny Crosby became the most prolific American hymnist of the nineteenth century, writing thousands of sacred songs, sometimes composing up to six or seven hymns a day. Her most famous works include “Blessed Assurance”, “To God be the Glory”, “Pass Me Not, O Gentle Savior”, and “Safe in the Arms of Jesus.” A household name in her lifetime, Fanny Crosby’s compositions still litter hymnals across American Protestant denominations today. Crosby’s enduring popularity is a testimony not only to the extraordinary volume of her musical corpus but also to the simplicity and power of her lyrics to convict, comfort, and inspire audiences around the globe.

In addition to photographs, song books, and memorabilia, the Archives holds nearly 2,400 original manuscripts of Crosby’s hymns and poetry, composed between 1862 and 1915. The majority of the manuscripts are numbered and dated, a helpful guide for researchers tracing Crosby’s immense literary output. The finding aid for Collection 35: Papers of Fanny Crosby provides more details about these materials.

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