Jazz Age Evangelism: Paul Rader and the Chicago Gospel Tabernacle

Advertisement announcing the Steel Tent, which became the Chicago Gospel Tabernacle,1922. (CN 38, Folder 1-52)

Wheaton Archives & Special Collections holds the stories of many an unsung figure in the history of evangelism, people who made an impact in their own time but are little remembered today. Such a one is Daniel Paul Rader, more widely known by his middle name Paul. The Chicago Gospel Tabernacle he started in the 1920s was a center of innovation and excitement, launching the ministries of several significant evangelical Christian figures of the next generation.

Rader was the son and grandson of ministers and was one himself for a few years, before a loss of faith led him to resign his pastorate. After leaving the ministry, Rader worked as a boxing promoter and then as an oil company representative. Around 1912 Rader experienced a renewal of his Christian faith. He became active in the Christian and Missionary Alliance, eventually serving as an assistant to C&MA founder A. B. Simpson on Simpson’s evangelistic tours. The next year Rader became an evangelist himself and preached around the United States. In 1915, he accepted the pulpit of Moody Church in Chicago and in 1919, upon the death of Simpson, Rader became the second president of C&MA.

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Autographs as Artifacts

In the Archives’ collections, personal signatures are everywhere, littering correspondence, membership rosters, covenants, and random scraps of paper. These signatures come in all shapes and sizes, some deliberate and others barely more than doodles—breezy nicknames closing a letter, hasty initials scrawled on a memo, or elaborate signatures finalizing deeds and contracts, or legitimizing passports. Occasionally, signatures are accompanied by additional information, like a favorite biblical text, personal motto, illustrations, or decorative flourishes. Depending on the size and style of handwriting, signatures can give researchers insight into a subject’s personality, level of education, and even nationality.

This April, the Wheaton College Billy Graham Center Archives features the autograph album of Edna Asher Case (1905-1999), a Chicago native and 1929 graduate of Wheaton College. In the 1920s, autograph albums were a popular way to document and remember the places and people you encountered and to exchange personal messages. Case’s autograph album—a slim 4×6 leather bound book with brightly-colored pages—offers readers today a glimpse into the bustling world of 1920s American evangelistic fervor, captured in the sprawling signatures and well wishes of celebrity revivalists, musicians, and urban social work crusaders who spread the gospel through revival meetings and rescue missions in the city that came to epitomize the Jazz Age.

Cover
The worn cover of Edna Asher Case’s autograph album held in Collection 197 Papers of Virginia Healey Asher, Folder 1-1.

Born in 1905 to parents deeply involved in evangelism work in Chicago and St. Louis, Edna’s childhood coincided with the pinnacle of Billy Sunday’s revival ministry. Sunday’s traveling evangelistic team included Edna’s aunt, the vocalist and speaker, Virginia Healey Asher. Through her aunt’s connections, Edna was introduced to many of the leading evangelists and revival preachers of the early twentieth century whose signatures and personal messages fill her autograph book. The album contains dated entries spanning 1922-1929, and ranges from Chicago to Winona Lake, Indiana.

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