Billy Sunday

“Who Cares for the Woman Who Toils for Her Bread?”: The Ministry of Virginia Healey Asher

/ Emily Banas / Leave a comment
Portrait photo of Virginia Asher, 1905. Photo File: Asher, Virginia.

Scattered throughout the Evangelism & Missions Archives are paper fragments that tell the story of a remarkable woman – Virginia Healey Asher.

Virginia Healey was born to Irish parents in Chicago in 1869. Although her family was Catholic, she attended the church that had grown out of Dwight L. Moody’s Sunday School class and there gave her life to Christ during an evangelistic meeting when she was eleven. Her future husband, William Asher, was saved at the same meeting. When a few years later D. L. Moody called for workers, she volunteered. He assigned her to outdoor street meetings in Chicago where she sang and witnessed. She planned to go to Moody’s school in Northfield, Massachusetts when William, who had also volunteered for evangelism ministry, proposed. She was a teenage bride when they married on December 14, 1887.

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It’s a beautiful day in Chicago!

/ Emily Banas / Leave a comment

Along with hundreds of collections on global missions and evangelism, Wheaton Archives & Special Collections also holds records documenting the history of Chicagoland, from institutions like the historic Moody Church, Chicago Gospel Tabernacle and the Chicago Sunday Evening Club to individuals like William Leslie, Herbert J. Taylor, Vaughn Shoemaker, and Harold “Red” Grange. This month, Wheaton Archives & Special Collections features one such collection, the papers of hymn singer and radio broadcaster Everett Mitchell, best known for his memorable opening line, “It’s a beautiful day in Chicago!”

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Autographs as Artifacts

/ kjgraber / 3 Comments

In the Archives’ collections, personal signatures are everywhere, littering correspondence, membership rosters, covenants, and random scraps of paper. These signatures come in all shapes and sizes, some deliberate and others barely more than doodles—breezy nicknames closing a letter, hasty initials scrawled on a memo, or elaborate signatures finalizing deeds and contracts, or legitimizing passports. Occasionally, signatures are accompanied by additional information, like a favorite biblical text, personal motto, illustrations, or decorative flourishes. Depending on the size and style of handwriting, signatures can give researchers insight into a subject’s personality, level of education, and even nationality.

This April, the Wheaton College Billy Graham Center Archives features the autograph album of Edna Asher Case (1905-1999), a Chicago native and 1929 graduate of Wheaton College. In the 1920s, autograph albums were a popular way to document and remember the places and people you encountered and to exchange personal messages. Case’s autograph album—a slim 4×6 leather bound book with brightly-colored pages—offers readers today a glimpse into the bustling world of 1920s American evangelistic fervor, captured in the sprawling signatures and well wishes of celebrity revivalists, musicians, and urban social work crusaders who spread the gospel through revival meetings and rescue missions in the city that came to epitomize the Jazz Age.

Cover
The worn cover of Edna Asher Case’s autograph album held in Collection 197 Papers of Virginia Healey Asher, Folder 1-1.

Born in 1905 to parents deeply involved in evangelism work in Chicago and St. Louis, Edna’s childhood coincided with the pinnacle of Billy Sunday’s revival ministry. Sunday’s traveling evangelistic team included Edna’s aunt, the vocalist and speaker, Virginia Healey Asher. Through her aunt’s connections, Edna was introduced to many of the leading evangelists and revival preachers of the early twentieth century whose signatures and personal messages fill her autograph book. The album contains dated entries spanning 1922-1929, and ranges from Chicago to Winona Lake, Indiana.

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